Godhi banna sadharna mykattu bharat movie

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With an average of INR 3-4 Crores per movie, the channels are not raising the prices. The Kannada Cinema has the lowest prices in the South. Ennu Ninte Moideen got 6.87 Crores by Asianet, while Pathemari was priced at 6 Crores by Surya TV.

In Malayalam Cinema, the price cuts down to an average of INR 6-7 Crores. But usually, Tamil films like Aagadu and Nenokkadine earn INR 9.75 and INR 12.5 Crores, respectively. Baahubali was an exception, that earned INR 25 Crores (Gemini TV), bagging as much as Kabaali or any mega Tamil film. The average cost for a hit Telugu filmвЂ™s satellite rights can range between INR 9-12 Crores. On an average, a decent Tamil film can earn around INR 10-20 Crores for its satellite rights.ДЇor Telugu Films, the price lowers down even more.

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SuriyaвЂ™s 24 was acquired by Vijaya TV for INR 15 Crores. Where this is quite low for a Hindi film, down in south, this is like hitting a goldmine. RajnikanthвЂ™s latest film KabaliвЂ™s satellite rights were bought by Jaya TV for INR 25 Crores. In Tamil Cinema, this price cuts down almost to the half. But as it snowballed into a blockbuster, the channels started pursuing Tigmanshu Dhulia. When Paan Singh Tomar was released, no channel was interested in it.

#Godhi banna sadharna mykattu bharat movie movie

Also, the box office sales of a movie can effect the satellite right prices. But sit on a movie for too long, and it could be harmless for the producer. This way, the channels try to get in touch with the producer with exciting offers. This is primarily done to boost the price. However, sometimes a producer just sits on the satellite rights, and gets into no negotiation with anyone. This is why bigger production houses and studios set a high starting price for the bidding war. Like every other factor in mainstream cinema, a bigger star means more negotiating power. There are a lot of factors that work here, but the biggest and most important is вЂ“ the Star Power.

What factors determine the price of these rights?

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Bigger production houses get more money than the new ones.ДЄfter getting the rights, the channel is free to play the movie any number of times until it has the lease.ДЇully Explained: The Film Distribution Process in India

The past record of the director/producer/star.

Before offering a price, a channel considers the following: For example: The satellite rights for the Hritik Roshan starring movie Kaabil were sold for INR 45 Crores to Star TV, while the movie is scheduled to release on 26th January. The one with the highest offer bags the satellite rights of the movie for the stipulated time. Channels have realised the immense potential of movies and the stars who act in them, and they practically get into a bidding war with the other channels/networks to acquire the rights. These days, the satellite rights of most of the films are sold even before the movie is released. This is why when Set Max doesnвЂ™t have anything better to air, it plays Sooryavansham. One very interesting case if of the Hindi film Sooryavansham, starring Amitabh Bachchan the satellite rights of this film were sold to Set MAX by ABCL for 100 years. These rights could be purchased for either lifetime or a shorter fixed amount of time, agreed upon by the both parties. The channel pays an agreed amount to the producer (or whoever owns the satellite rights of the movie) and it earns the money back via the advertisements. Simply put, Satellite right is the permission that a movie producer gives to a TV channel or network to air their film on TV. But with the dawn of the digital era, the films have figured out more ways to make a buck one of these is called Satellite Rights. Before the advent of cable television, Box office and Home Media sales were the only ways for a movie to earn money.